Terry Kurgan is an artist and writer based in Johannesburg.
She works across a broad range of media, from drawing, writing, printmaking and photography to enlisting public participation in her production processes. Kurgan’s artistic interest is in photography: in the complex nature of photographic transactions. Her projects, both studio-based and publicly engaged, have frequently explored the mediations of power relations at play in domestic photography, and have been sited in spaces as varied as a maternity hospital, a public library, a popular Johannesburg shopping mall, an inner city park and a prison.
Kurgan received her BAFA from the California School of Arts in San Francisco, her MFA from the Michaelis School of Fine Art, University of Cape Town, and her MA in Creative Writing from Wits University in Johannesburg. She has exhibited and published broadly and been awarded numerous prizes, including the FNB Vita Art Prize (2000), Business Day/Business Art South Africa awards (2007, 2009), a Puma.Creative Mobility Award (2010), and the inaugural Mbokoda Photography Award (2012). The Hotel Yeoville project was shortlisted for the 2012 International Award for Excellence in Public Art (IAPA).
Selected recent exhibitions and projects include: Collaboration. A Potential History of Photography. A project by Ariella Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, and Laura Wexler (2018); Nine Urban Biotopes: Negotiating the Future of Urban Living, exhibition, project and artists’ residency, Berlin, (2014); Public Intimacy: Art And Other Ordinary Acts In South Africa, San Francisco Museum of Modern Art (SFMOMA) with Yerba Buena Center for the Arts (YBCA) 2014; Sharp, Sharp Johannesburg, La Gaite Lyrique, Paris (2013); Interrogation Series: Hotel Yeoville, Storefront For Art and Architecture, New York, NY (2013); Public Art/Private Lives, Gallery AOP, Johannesburg (2013); Figures & Fictions: Contemporary South African Photography at the V & A Museum, London (2012).
Kurgan has published many essays on vernacular photography and public-sphere art practice in books and academic journals. Everyone is Present: Essays on Photography, Memory and Family is her first work of creative non-fiction and was published in November 2018. Her previous books are Johannesburg Circa Now, co-edited with Jo Ractliffe (2005), and Hotel Yeoville (2013).
Terry is editor and partner (with Bronwyn Law-Viljoen) of the Johannesburg based independent publisher Fourthwall Books. She is also currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University where she is registered for a PHD in Creative Writing: researching and writing a new work of creative non-fiction.